np/CulturalReproduction 
YouTube URL CulturalReproduction bookmarklet Name / label / descriptive title

Caitriona Noonan (19 September 2019). 'Ecologies of Cultural Production Workshop: Keynote Address', Trinity College Dublin

Concept: 'cultural reproduction' [Wikipedia]
Bibliography: Trinity College Dublin. (2024). Ecologies of Cultural Production. Trinity College Dublin, School of Creative Arts. https://www.tcd.ie/creativearts/research/research-projects/ecologies-of-cultural-production/ Brook, S. (2013). 'Social inertia and the field of creative labour'. Journal of Sociology, 49(2-3), 309–324. [academic source] Scott, A. J. (2010). 'Cultural Economy and The Creative Field of The City'. Geografiska Annaler. Series B, Human Geography, 92(2), 115–130. [academic source]

Lewis Waller (8 March 2019). "Walter Benjamin's influential 1935 essay, 'The Work of Art in the Age of Mechanical Reproduction', Then & Now

Production: Lewis Waller / Then & Now [channel] [Bluesky] [X/Twitter]
Bibliography: Benjamin, W. (2008). 'The Work of art in the age of Mechanical Reproduction' (Repr ed.). Penguin Books. Berger, J. (1972). "Ways of Seeing 'Benjamin’s theories: Art in Mechanical Reproduction'" (No. 1) [Broadcast]. In YouTube. https://www.youtube.com/embed/Xdw3xRrBmlc

Peter Rojas (24 April 2012). 'The Democratization of Cultural Production', Big Think

Point: "The concept 'democratisation of culture' came about as part of substantive political changes aimed at achieving a more evolved democracy after WWII. It was formulated in 1959 and put into practice by the French Ministry of Culture, headed at the time by the famous writer André Malraux. [Wikipedia] The idea behind the concept was that the insufficient development of cultural needs and habits in a wider population was caused by their being denied the opportunity to encounter works of art and high culture in general. Hence, the aim was to provide equal opportunities for all citizens to participate in publicly organized and financed cultural activities. This was expected to eventually lead to the development of their cultural needs and habits" (European Commission, 2020).
Context: Lewis Waller (8 March 2019). "Walter Benjamin's influential 1935 essay, 'The Work of Art in the Age of Mechanical Reproduction', Then & Now [see]
Also: see Charles Leadbeater's 'We Think' (2009), which represents a somewhat technological utopian manifesto for what became 'amateur participatory culture / amateur cultural production': https://newpractices.co.uk/horizons/#qiP79vYsfbo
More: https://newpractices.co.uk/horizons/
Point: 'blurring the line between human and machine intelligence' https://www.youtube.com/embed/4e4aoG0ih_M?start=113
Further to this: https://newpractices.co.uk/GenerativeAI/
Bibliography: European Commission. (2020). 'Democratisation of Culture'. INVENT Project (European Inventory of Societal Values of Culture as a Basis for Inclusive Cultural Policies in the Globalizing World). https://inventory.inventculture.eu/value/equality/concepts/democratization-of-culture/more Leadbeater, C. (2009). 'We-Think: Mass Innovation, Not Mass Production'.

Mehret Mandefro (8 February 2021). 'How a strong creative industry helps economies thrive', TED Talks

About: Mehret Mandefro [LinkedIn] [imdb] [Instagram] [Wikipedia]
Biography: "I am an Emmy-nominated and award-winning producer, writer, and entrepreneur focused on producing powerful stories that inspire global audiences and building the infrastructure to empower independent storytellers. I believe the creative industries have the power to shift the world and my TED Talk on this topic has over 1 million views. Across all my studio projects, my mission remains the same: to produce the future one story at a time." https://www.drmehret.com/
Related: 'Creative Economy' [Wikipedia] https://arts.britishcouncil.org/projects?conditions[]=field_art_form=2
Bibliography: Mehret Mandefro. (2021). 'How a strong creative industry helps economies thrive'. In Ted.com. TED. https://www.ted.com/talks/mehret_mandefro_how_a_strong_creative_industry_helps_economies_thrive

MadeAtUni (13 January 2022). 'Adrian Wootton OBE: Why the UK film industry needs creative graduates'

Source: MadeAtUni https://madeatuni.org.uk/ [pdf]
Biography: Adrian Wootton OBE https://filmlondon.org.uk/who-we-are/adrian-wootton-obe [LinkedIn] [imdb]
Related: 'Connie: document and eSignature tool for Creators' [channel] https://www.youtube.com/embed/ciX8KR0w4C0
Bibliography: Software Advice. (2026). 'Connie: document and eSignature tool for Creators'. SoftwareAdvice. https://www.softwareadvice.co.uk/software/553530/connie

D&AD (29 June 2015). 'Creativity Pays: Getting a Job in the Creative Industries'

Context: Design and Art Direction (D&AD) https://www.dandad.org/ [Wikipedia]
Point: John Howkins answering the question: "What's the characteristics of a creative entrepreneur or these kinds of entrepreneur who centrals to the success of the economy in the country?" https://www.youtube.com/embed/jKIWnqiftWk?start=797
Bibliography: Adobo Magazine. (2018, November 7). "Professor John Howkins on coining the term, ‘the creative economy’". [trade magazine] The United Nations. (2026). What is the Orange Economy? [United Nations] Hesmondhalgh, D., & Baker, S. (2011). 'Creative Labour: Media Work in Three Cultural Industries'. [academic source] [academic source] Hesmondhalgh, D., & Baker, S. (2008). 'Creative Work and Emotional Labour in the Television Industry'. Theory, Culture & Society, 25(7-8), 97–118. [academic source]

John Sorrell (18 July 2014). "understanding creativity and culture can enrich children's lives"

Bibliography: Edmunds, S. (2025, February 25). 'Defining The Creative Industries'. XR Stories. https://xrstories.co.uk/defining-the-creative-industries/ UK Department for Digital, Culture, Media & Sport (DCMS). (1998). 'Creative industries mapping documents 1998'. In GOV.UK. [Government]

Gabriela Gotay (2 March 2018). "What's The Orange Economy?"

Blurb: "Defining the Orange Economy is a complex matter. Creating a universal definition is both absurd and unnecessary, sustain Felipe Buitrago Restrepo and Iván Duque, authors of 'The Orange Economy, an infinite opportunity.' They explain that orange, a pigment used in ancient Egypt to adorn the tombs of the pharaohs, is the dominant color for culture, creativity and identity. Several terms are used to allude to this phenomenon such as cultural industries, creative industries (in Spanish), leisure industries, content industries, copyright protected industries, cultural economy and creative economy. The creative economy includes all the sectors whose goods and services are based on intellectual property: architecture, visual and performing arts, crafts, film, design, publishing, research and development, games and toys, fashion, music, advertising, software, TV and radio, and videogames. This is how it was defined by John Hawkins, a pioneer in the subject, at the beginning of the new millennium" (Connect Americas, n.d.).
Bibliography: Gotay, G. (2018, March 2). "What’s the Orange Economy and what role do we play in it?" The Creative Confidential. http://www.thecreativeconfidential.com/whats-the-orange-economy-and-what-role-do-we-play-in-it/ Connect Americas. (n.d.). 'The orange economy: How to define it'. connectamericas.com. Retrieved 7 August 2026, from https://connectamericas.com/content/orange-economy-how-define-it

The Story of Creative UK

Prince of Royal (18 May 2024). 'UK creativity is world-beating'

Centre for Excellence in Media Practice (21 May 2025). 'The Future of Work in the Media Industries'
Credits: Helen Soden, Co-Founder, Hullabaloo Kate Beal, Founder and CEO, Woodcut Media Prof. Sarah Jones, Pro Vice-Chancellor, Southampton Solent University Kate Adie, Award-winning Journalist and Chancellor of Bournemouth University
More: https://www.bournemouth.ac.uk/research/centres-institutes/centre-excellence-media-practice
Bibliography: 'CEMP:Talk webinar series' | Bournemouth University. (2023). https://www.bournemouth.ac.uk/research/centres-institutes/centre-excellence-media-practice/cemptalk-webinar-series

Al Jazeera English (19 May 2024). 'UK arts sector crisis: Creative industries hit hard by funding cuts'

Point: "Although institution-level allocations for the upcoming academic year are yet to be confirmed, the impact is expected to be severe for providers offering the affected courses, particularly those specialising in creative subjects, which generally cost more to deliver than classroom-based subjects. ... The decision to slash funding for creative subjects comes despite the field being named as one of the UK's 'highest potential sectors' in the government's industrial strategy. Government body Skills England has also predicted that the sector will be among those expected to need the most additional people in its workforce over the next decade" (Packer, H., 2026, July 9).
Bibliography: Packer, H. (2026, July 9). "Cuts to creative courses ‘undermining government’s own strategy’". Times Higher Education (THE). https://www.timeshighereducation.com/news/cuts-creative-courses-undermining-governments-own-strategy

Back From the Brink: Reimagining The Future of Television | Edinburgh TV Festival 2024

Bibliography: "BECTU’s Big Survey reveals TV workforce on the brink". (2025). BECTU UK Broadcasting, Entertainment, Communications and Theatre Union. [BECTU Broadcasting, Entertainment, Communications and Theatre Union] 'Looking Glass Survey 2024'. (2024). The Film and TV Charity. https://filmtvcharity.org.uk/research-impact/reports/looking-glass-2024/ [pdf]

Matt Damon why the lack of DVD sales changed how movies get greenlit

Susan Kerrigan (2 June 2020). 'Creativity & Cultural Production'

Concept: 'culture and heritage led regeneration and placemaking' (OECD Local Economic and Employment Development Working Papers).
Bibliography: McIntyre, P., Balnaves, M., Kerrigan, S., King, E., & Williams, C. (2019). 'Creativity and cultural production in the hunter: An applied ethnographic study of new entrepreneurial systems in the creative industries?'. [pdf] https://link.springer.com/book/10.1007/978-3-031-45972-6 Kerrigan, S., McIntyre, P., Fulton, J., & Meany, M. (2020). 'The systemic relationship between creative failure and creative success in the creative industries'. Creative Industries Journal, 13(1), 2–16. [academic source] https://phillipmcintyre.com.au/ 'The role of culture-led regeneration in place transformation'. (2025t). OECD Local Economic and Employment Development (LEED) Working Papers. [academic source] [pdf] European Commission. (2024). 'Industry 5.0. In research-and-innovation'.ec.europa.eu. [Government]

Somerset County Council (11 August 2014). "Study Trips 'Strategic Ideas Sharing' supported by Somerset County Council and the Open Innovation Project"